埃里卡·特伦布
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埃里克·侯麦
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Bertrand（Philippe Beuzen 饰）和Guillaume（Christian Charrière 饰）是巴黎医学院的同学，前者是个勤奋的穷学生，后者则是个父母经常不在家留下豪宅供儿子玩乐的富家公子。一次在咖啡店他们遇到女孩Suzanne（Catheri ne Sée 饰），他们都对Suzanne倾心，但Bertrand因为自己的身世并没有展开主动的追求，反而是一直看着Guillaume如何把Suzanne骗到手打得火热。花花公子很快便玩厌了，与Suzanne分手，Suzanne开始主动约Bertrand出来游玩挥霍，很快便花光了钱。而Bertrand的钱却被偷了……Suzanne是复仇女郎吗？
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盖伊·马丁
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《世界上最悲伤的音乐》一出魔幻的、黑色的、反讽的梦境，故意模糊的颗粒状的黑白镜头，人物身后的光芒丛生，都宛如是现实与虚幻交错与臆造的产物。男爵夫人海伦若干年前被误锯双腿，从此她的心里只有恨没有爱，她有一家啤酒馆，为了在大萧条中赢得生意，她举办了场“世界上最悲伤的音乐”的比赛，吸引了世界各地的音乐家，啤酒自然源源不断地被卖出；以前的恋人切斯特*肯特携女友娜西莎代表美国来参加；其兄罗德里克*肯特非常仰慕一战的导火线发起者---刺杀大公的凶手，因此加入塞尔维亚也来了，他拥有被称为世上最忧郁的大提琴声音，自从儿子死去妻子失踪，他就一直身携其子心脏到处漂泊，沉浸在不可救药的悲伤之中；他们的父亲老肯特就是当年误锯海伦双腿的人，为了弥补过错，他花了多年心思制作了一双晶莹剔透的玻璃腿，并在此过程中，他不可抑制地爱上了海伦。这些人在音乐会上通通不期而遇，演绎了一场...
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汤姆·维里卡
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由 Shondaland 和杰斯·布朗内尔打造的《布里杰顿家族》第四季回归，带来充满童话色彩的全新故事。尽管家族女家长维奥莱特·布里杰顿夫人（鲁丝·吉梅尔饰）一再劝说，自由不羁的次子本尼迪克特·布里杰顿（卢克·汤普森饰）拒绝安定下来。然而，在维奥莱特举办的化装舞会上，本尼迪克特被一位神秘的银装淑女深深吸引。在妹妹埃洛伊斯（克劳迪亚·杰西饰）不情愿的帮助下，本尼迪克特开始在社交圈中挖掘这位年轻女士的真实身份。然而，他的心上人并不在上流社会，她是一位聪明机智的女仆，名为索菲·白（贺贻林饰），效力于令人敬畏的女主人阿拉明塔·具（梁佩诗饰）。 命运让本尼迪克特和索菲再次相遇，本尼迪克特在对这位迷人女仆的现实爱慕和对银装淑女的幻想之间挣扎，然而他并未意识到她们其实是同一个人。本尼迪克特无法将这两位女性视为同一人，这是否会让他与索菲之间那种不可否认的火花化为泡影..
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安妮·艾蒙德
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This is about Adam (45) owns a kennel. He is a profoundly good and generous, almost naive, man who struggles with depression and eco-anxiety. Via the technical support number for a light therapy lamp he recently purchased, he meets Tina (45), a settled, incredibly sweet mother from northern Ontario. They talk for many hours on the phone. When they meet, everything is turned ups...
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Cole Davidson,Matthew Luke Tucci,约翰尼·哈洛兰,亚历克斯·巴伯,保罗·坎达里安,艾米·苏·福尔,马修·卢克·图齐,杰夫马克,Gina Barber
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After an eccentric billionaire creates a drug called INOC which stops the aging process effectively eliminating death itself, the future of a world where death no longer exists is seen. Through a seemingly harmless children's toy, the story of the fate of mankind is told while also revealing an elusive truth to its unknowing spectator.
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迈克尔·珊农
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Michael Shannon directs an adaptation of Brett Neveu’s 2002 play about a mother coping with the fallout after her son murders three of his high school classmates. Janice (Judy Greer) is struggling; she moves through life as if in a haze, unable to let go of her anger and frustration. While her husband (Alexander Skarsgård) has found refuge at a new church, Janice finds it hard to seek solace in her faith despite her pastor’s pleas to heal her wounds by meeting with the mothers of her son’s victims. As Janice ponders what that meeting could achieve for her and her community, Eric LaRue asks audiences to witness the frayed emotional ripples that violent acts can engender. Anchored by Greer’s deeply arresting performance, Shannon’s directorial debut grapples head-on with frustratingly timely conversations about who deserves our compassion and grace. Standout supporting turns by Tracy Letts and Alison Pill, who capture a subtly unnerving vision of spiritual fanaticism, stress the film's interest in complicating facile views of atonement and forgiveness in light of such tragedies.
